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ArtistChagall, Marc

Artist Years1887-1985

Artist NationalityRussian, French

TitleBack cover for Verve 37/38

Year1960

MediumPrint > Lithograph

DimensionsSheet: 13.8 X 10.1 inches
Sheet: 17 X 13 inches

Catalog ReferenceMourlot 230

Description

Color lithograph, unmounted back cover for the Bible Suite published in Verve 37/38, unsigned, printed on smooth, cream wove paper, without margins, with a Mourlot stamp in blue ink on verso. This is trimmed back cover used for Verve, Vol X, No. 37/38, Teriade Paris, 1960.  Rare. Fine condition. Free shipping to US address.
(bx-57)

Accession Number218774

NotesAfter returning to Paris from one of his trips, Vollard commissioned Chagall to illustrate the Old Testament. Although he could have completed the project in France, he used the assignment as an excuse to travel to Palestine to experience for himself the Holy Land. He arrived there in February 1931 and ended up staying for two months. Chagall felt at home in Palestine where many people spoke Yiddish and Russian. According to Jacob Baal-Teshuva, "he was impressed by the pioneering spirit of the people in the kibbutzim and deeply moved by the Wailing Wall and the other holy places".

Chagall later told a friend that Palestine gave him "the most vivid impression he had ever received". Wullschlager notes, however, that whereas Delacroix and Matisse had found inspiration in the exoticism of North Africa, he as a Jew in Palestine had different perspective. "What he was really searching for there was not external stimulus but an inner authorization from the land of his ancestors, to plunge into his work on the Bible illustrations". Chagall stated that "In the East I found the Bible and part of my own being."

As a result, he immersed himself in "the history of the Jews, their trials, prophecies, and disasters", notes Wullschlager. She adds that beginning the assignment was an "extraordinary risk" for Chagall, as he had finally become well known as a leading contemporary painter, but would now end his modernist themes and delve into "an ancient past". Between 1931 and 1934 he worked "obsessively" on "The Bible", even going to Amsterdam in order to carefully study the biblical paintings of Rembrandt and El Greco, to see the extremes of religious painting. He walked the streets of the city's Jewish quarter to again feel the earlier atmosphere. He told Franz Meyer:

I did not see the Bible, I dreamed it. Ever since early childhood, I have been captivated by the Bible. It has always seemed to me and still seems today the greatest source of poetry of all time.

Chagall saw the Old Testament as a "human story, ... not with the creation of the cosmos but with the creation of man, and his figures of angels are rhymed or combined with human ones", writes Wullschlager. She points out that in one of his early Bible images, "Abraham and the Three Angels", the angels sit and chat over a glass of wine "as if they have just dropped by for dinner".

He returned to France and by the next year had completed 32 out of the total of 105 plates. By 1939, at the beginning of World War II, he had finished 66. However, Vollard died that same year. When the series was completed in 1956, it was published by Edition Tériade. Baal-Teshuva writes that "the illustrations were stunning and met with great acclaim. Once again Chagall had shown himself to be one of the 20th century's most important graphic artists". Leymarie has described these drawings by Chagall as "monumental" and,

...full of divine inspiration, which retrace the legendary destiny and the epic history of Israel to Genesis to the Prophets, through the Patriarchs and the Heroes. Each picture becomes one with the event, informing the text with a solemn intimacy unknown since Rembrandt.
(source: Wikipedia.org)

Price $225.00

Additional information

Dimensions 10.3 × 14 in
Country

Russian, French

Region

European

Artist

Chagall