Additional information
| Artist | Gleizes |
|---|---|
| Country | French |
| Region | European |
ArtistGleizes, Albert
Artist Years1881-1953
Artist NationalityFrench
TitleFuturistic Composition
Year1953
MediumPrint > Serigraph / Screen Print
DimensionsComposition: 18 X 13.5 inches
Sheet: 25 X 19 inches
Description
Original screen print after the painting of 1945, signed in ink and dated “45” at lower right and annotated “281/300” at left, printed on heavy, smooth, cream wove paper. Issued in the portfolio, Edition Art D’Aujourd’hui: Maitres de L’Art Abstrait, Album I, consisting of 16 screenprints by prominant French artists, printed and issued by Wilfredo Arcay (Cuban/French, 1925-1997), 1953, edition 300. Rare. Fine condition. Free shipping to US address.
(lff-n-rt)
Accession Number420717
NotesAcclaimed by Jean Arp as “the perfection of Cuba’s Cubists,” Wifredo Arcay (b.1925 Havana, Cuba - d.1997 Paris, France) emerged among the postwar generation of the Ecole de Paris as a painter, muralist and, perhaps most familiarly, as a printmaker. Born in Cuba and trained at Havana’s Academia de San Alejandro, Arcay arrived in Paris on a grant in 1949. He assimilated quickly within the milieu of post-Cubist abstraction, studying at the Grande Chaumière and with Edgard Pillet and Jean Dewasne at their Atelier d’Art Abstrait. In 1951, at the invitation of André Bloc, the influential editor of the journal Art d’Aujourd’hui, Arcay set up a studio at Bloc’s villa in Meudon, mingling there amongst such luminaries of the historical avant-garde as Arp, Robert and Sonia Delaunay, and Fernand Léger. Their work appeared in his album
Maîtres d’Aujourd’hui (1953), an edition of twelve silkscreen prints that paid tribute to the prewar aesthetics of abstraction; a second volume, Jeunes Peintres d’Aujourd’hui (1954), positioned a younger generation (among them, Dewasne, Pillet, Serge Poliakoff, and Victor Vasarely) in their wake. While celebrated as a printmaker, Arcay continued to paint through the 1950s and 1960s, sending work to the Salon des Réalités Nouvelles (1951-54) and regularly to Cuba. He exhibited as
part of the Cuban delegation to the São Paolo Biennale (1955) and frequently at Havana’s Galería Color-Luz, a pioneering outpost of geometric abstraction directed by Loló Soldevilla and Pedro de Oraá. A member of both the Constructivist Groupe Espace, founded by Bloc and Félix Del Marle in 1951, and the short-lived Cuban group Los Diez Pintores Concretos (1959-61), Arcay personified the rich diversity and internationalism of postwar abstraction.
(source: The Mayor Gallery)
Price $1,200.00